Unfulfilled Potential and Lives of Missed Opportunity
Straight ManUnfulfilled potential and lives of missed opportunity become a collective reckoning for the academics around William Henry Devereaux, Jr.: people who once expected more from themselves, but remained at West Central Pennsylvania University in Railton. Their disappointment is not simply that their careers fell short of an imagined ideal. It is also that, having repeatedly declined or lost other possibilities, they now live among colleagues who remind them of what they did not choose.
The Shared Idea of a Better Future
The narrator arrives at this reflection during a walk down the hill after realizing his car is downtown. In the woods, while urinating, he revisits a remark by Missy Blaylock about her breasts being wasted in Railton. What had seemed funny at the time acquires a more painful resonance: her complaint, he thinks, resembles the position of Jacob Rose, Gracie DuBois, Paul Rourke, Teddy Barnes, June Barnes, and perhaps himself. They had all believed they were made for better things.
The thought is measured against a counterfactual beginning: twenty years earlier, the group would have laughed at the prediction that they would spend their academic careers at the university in Railton. Now, the narrator says, they are no longer laughing. Their shared location makes their disappointment difficult to escape. Growing old together seems unappealing, yet their daily proximity continually sets their present lives beside the opportunities they once imagined.
Opportunities Not Taken
The narrator makes the idea concrete through the choices and chances that shaped his colleagues’ careers. Finny could have completed his dissertation but did not. More than a dozen years earlier, June received a job offer from a respectable university on the strength of a well-placed article. Teddy had just earned tenure, however, and the prospective employer would not hire him as part of a package with June, so she did not take the opportunity.
A later chance came to Teddy: he could have moved into administration, a change the narrator believes would have benefited both Teddy and his students. June talked him out of it, perhaps, the narrator speculates, in revenge for the earlier sacrifice of her own opportunity. Gracie’s poetry, too, once showed promise. These examples distinguish different forms of lost possibility: unfinished work, a career move blocked by a spouse’s circumstances, a promising change abandoned, and talent that did not develop into the future it seemed to offer.
Regret Turned Outward
The narrator attributes the group’s drift not to a single turning point but to years absorbed by committee work, departmental politics, daily lesson plans, and what he calls the increasingly militant ignorance of their students. They had not intended to let such routines consume so much of their lives. By middle age, they have chosen anger at one another over anger at themselves, avoiding the possibility that if they truly were made for better things, they would have done those things.
Tony Coniglia provides a pointed contrast. The narrator regards him as one of the few contented men he knows and suggests that Tony’s sensible acceptance of his life leaves him enjoying Missy’s attention rather than brooding over whether it is affection or a desire for a more upscale market that animates her. In the dark woods, the narrator’s speculation about Tony sits alongside his own less comfortable recognition: the group’s regrets are sharpened by the knowledge that the missed alternatives were not merely fantasies imposed from outside, but possibilities they encountered and, for various reasons, did not pursue. The reflection ends without resolving whether their earlier choices were wise; it exposes instead how readily disappointment becomes a grievance against the people who share its consequences.
